Terry Gross

Critic-at-large Laurie Stone reviews the documentary Hotel Terminus, about Nazi officer Klaus Barbie, who fled to South America after the end of World War II. Despite the dark subject material, Stone says the movie is a pleasure, and praises director Marcel Orphuls unblinking camerawork.

Stephen Schiff says that director Leonard Nimoy's adaptation of Sue Miller's novel is lifeless, but Diane Keaton's performance might justify the cost of a ticket.

Critic-at-large Laurie Stone says that, while movies tend to be male-dominated, television has had the power to give more substantial roles to women. She reviews three new sitcoms about women at home and in the workplace.

Director Ken Russell's new movie, Lair of the White Worm, updates a minor Bram Stoker novel of the same name for the 1980s. Film critic Stephen Schiff says the movie's acting and effects are silly and over-the-top. That's all part of the charm.

Lawrence Joseph is lawyer and poet from Detroit whose parents are from Lebanon. Critic Stuart Klawans says Joseph's newest collection features brutal autobiography and fierce intelligence.

The director trades comedy for drama in his latest movie. Film critic Stephen Schiff says the story explores the tired, false dichotomy of thinking versus feeling; and the dialogue leaves much to be desired.

Critic-at-large Laurie Stone recently saw the Dian Fossey biopic. She praises the film's power and compassion, fueled in large part by star Sigourney Weaver's outstanding performance.

Film critic Stephen Schiff bemoans Hollywood's current preoccupation with courtroom dramas -- most, he says, aren't very good. The new Jodi Foster movie The Accused, loosely based on a high-profile gang rape trial, leans too heavily on the lurid details of the case, and not enough on developing an interesting narrative.

Film critic Stephen Schiff reviews the new film based on the life of legendary saxophonist Charlie Parker. Schiff says it makes up for its lack of narrative drive with insight and an excellent soundtrack.

Critic-at-large Laurie Stone reviews the photographer's new exhibition at the Museum of Modern Art. Nixon's photos document the progression of sickness and disease -- including AIDS -- in his subjects. Stone says Nixon's moving work neither sentimentalizes nor intrudes.